Last week, Bookish revealed their favorite book covers of 2017. Since the year is almost over and the blog will soon be going to sleep for Winter break, we thought we would share five of our favorite book covers from the year. Continue reading “Our Favorite Book Covers From 2017”
Every year, Publishers Weekly (PW) releases an industry salary survey that highlights statistics relevant to the industry. Why should you review the 2017 survey? For anyone looking to begin their career in the industry, it helps to research the current climate and understand what you’re getting yourself into. Continue reading “PW Publishing Industry Salary Survey 2017”
Kathy Sandler is the Senior Manager of Content Applications and Digital Workflow Development at Penguin Random House. She is also an Adjunct Faculty member in the M.S. in Publishing Program at Pace University. She specializes in management, workflow, and publishing technology for eBooks and iPad apps and enjoys developing classes for people in the industry. She recently published an article on “Innovation in Publishing: This is not an Oxymoron!” for Publishing Research Quarterly.
By: Professor Kathy Sandler
After we parted, she paid for her own overnight train to Wuhan to attend the weekend conference and take Professor Lian, Professor Raskin and me around Wuhan University. She has since started a Literary Salon speaker series for her friends and colleagues, which she said I inspired her to do. Mark Fretz, who also attended the conference as part of the delegation from Pace, spoke at the inaugural session. I am very proud of Ling and happy I was able to touch her life.
In the last couple of weeks three iconic companies made major moves toward reinvention, however these moves are not reflecting a positive outlook on their own futures, or for the print magazine industry overall.
First, Time Inc. laid off 300 people recently. “The June 13th cutbacks came three years almost to the week when the company spun off from Time Warner,” according to the Folio article. The company is also relocating one of its titles, Food & Wine, to Alabama, partly because of cost considerations. Wenner Media announced it had sold Men’s Journal to American Media. This sale leaves the once-powerful company with just a 51 percent stake in flagship Rolling Stone and a gaming website launched last year. Rodale was also said to have cut 80-100 employees ahead of an announcement “that it is exploring strategic options.” The company announced in January that “it was selling some of its properties in Emmaus, Pennsylvania, in a bid to centralize and to raise $4.6 million.”
Time Inc. CEO Rich Battista, through a spokesperson, told Folio writer Tony Silber “that further consolidation (presumably of the kind that just happened at his company) is likely given the long-term secular decline in print.” It seems for media companies today, it is more important to build a bran than to rely on print businesses and practices.
“The industry is evolving quickly, and while change can be disruptive, it also brings opportunity,” a senior Rodale executive said to Silber.
This month the magical realm of Harry Potter, created by J.K. Rowling, is celebrating it’s twentieth year. The success of the book series transferred into a successful film series starring Daniel Radcliffe, Emma Watson, and Rupert Grint, as well as a popular website (Pottermore), Spin-off titles like Fantastic Beasts and Where to Find Them (which also found success as a film), an amusement park attraction (The Wizarding World of Harry Potter at Universal Studios), and now a stage play, Harry Potter and the Cursed Child.
At the time that the first Harry Potter book was released, young adults and children were accustomed to titles and series such as The Babysitter’s Club, that were a bit more lightweight. The Harry Potter series made way for blockbuster sagas like The Hunger Games, Twilight, and Divergent. Harry Potter easily changed the game for YA fiction.
Though not necessarily original in its common tropes of magic, fantasy, adventure, unfair teachers, a common enemy, heroes, etc., Harry Potter was able to resonate with children and young adults in a way that other tiles could not. Claire Fallon in an article for the Huffington Post writes, “Children’s book writers, especially fantasy authors, who were once the masters of their domain found themselves ignored in media coverage and discussions of ‘Harry Potter.'” Perhaps it was Rowling who wrote the right book at the right time, or she was able to masterfully and creatively construct a seven-book mystery/adventure story arc following characters as they aged into adulthood that coincided with her aging and growing audience. Either way, as Joe Monti, Editorial Director of Saga Press says, “Harry Potter made the careers of many authors possible.”
Harry Potter was able to boosts the sales of YA fiction altogether because of its success. “The Atlantic reported that the number of YA books had increased by a factor of 10 between 1997 and 2009.” The series was also able to help rebuild the disparaging reputation that fantasy had as a genre in YA fiction. Monti says, “Fantasy is mainstream.”
Rowling and Harry Potter as a series took on many risks, including long-form story arcs, thick-sized books, and a fantasy genre as well as the idea that the books also age with the audience. Harry Potter takes on darker themes like lengthy battle scenes, concepts of mortality/fatality, and romantic relationships, all of which challenged what YA fiction was at the time and what publishers can put in front of children and young adults.
Harry Potter was able to open up the horizons for what YA literature could be. Rowling also capitalized on the success of her series, which is part if the reason why Harry Potter has been cemented in pop culture history. It continues, to this day, to pave the way for YA fiction authors.